Wednesday, March 29, 2017

James 'Son' Thomas and Those Lazy, Smoky Blues

James 'Son' Thomas & Those Lazy, Smoky Blues 
By Lynda Smalhout Southern Style Staff Writer to the Clarion Ledger 1978
c. Bill Ferris
To read the rip-roaring account of his headstone dedication

LELAND — A haze hangs over the Mississippi Delta in the summertime, and fields of cotton and soybeans zip by the car window like the edge of a roulette wheel, creating pleasant monotony. 

Just east of Greenville is Leland, an immaculate, quiet little town where every man knows his neighbor and stores still close on Wednesday afternoons. 

Its also a place where the 'old time' blues have survived in the homes and juke-joints just the other side of the Southern railroad tracks.

Blues singer James`Son' Thomas lives there, on Stone Street, in a.3- room shotgun house with a half-screened-in front porch and a '66 Ford parked out front. An old tire lies forgotten in the yard, and candy wrappers are wedged into the cracks of the well-worn wooden doorsteps. 

Inside, a floor fan cuts through stale, 98-degree air, and a hint of a breeze pushes past the flowered, plastic curtains.Everything that's of any value to Thomas is nailed to the paneled walls of his front room, along with portraits and snapshots of family and friends. The photographs that don't fit on the walls are stuffed into a cardboard box under the bedside table. 

A fishing pole is propped next to Thomas' electric guitar on the greenlinolium floor, and a sculpted head, with a gold tooth in its mouth, is on a nearby table. Besides being a blues singer, Thomas is also a talented sculptor and "goes to the hills" when he gets the whim to bring back a supply of Yazoo Clay. 

The gold tooth came out of Luddie Randolph's mouth. She's his third wife. His first Wife left him —gave him the blues, he says — and the second one threw him out with his clothes. "I'm gonna put that tooth in a better head when I make some money," says Thomas.

Its probably accurate to say that Thomas' place hasn't changed much over the years, not even since he became a celebrity of sorts back in the late 1960s, when he first shook hands with Bill Ferris.

Ferris, who researched and wrote the book "Blues in the Delta," wasn't interested so much in making Thomas a celebrity; just in making him a living example of a blues musician who was born, raised and probably will die some-where in the rich Delta countryside. 

Thomas, along with other musicians such as 'Sonny Boy' Watson, the late Poppa Jazz and 'Little Son' Jefferson, is mentioned frequently in Ferris' book. And as a result of their friendship, Thomas has has re-corded several albums, appeared on the NBC Today Show, educational television and on documentary films about Southern culture. 

He's also been a 'visiting professor of music' at places such as Yale University, and the Universities of Connecticut, Indiana, Arkansas and Delaware. It doesn't matter that he never got past the fifth grade at the Morning Star church school in Eden, or that he only plays music by ear.

"I think I can beat the guy who's gonna study music out of a book," says Thomas. ''While he's still learning the note, I've already got mine and gone with it."

"What's interesting to me is to see musicians like James Thomas move in different worlds," says Ferris. "I first met him in his world, but since then he's been to the Smithsonian Festival, Yale, Jackson State University, and featured on the Today Show. He's al-ways completely at ease, relaxed and unimpressed by the whole fan-fare. He seems to grow through all these experiences. To me, that says something about the fact that he is an artist." 

Thomas is a wiry man with a pack of Camel cigarettes in his front pocket and a Miller beer in one hand. 

"Ain't but one thing make me nervous," he says, grinning, "and that's when I see I ain't gonna make no money. I reckon all that corn whiskey I used to drink gave me nerve." 

Although Thomas had never been any farther away than Tennessee before he met Ferris, traveling to faraway cities by plane and bus doesn't bother him much. "I done got use to it now, cause a met so many people." He was•born 52 years ago in Yazoo County and lived there on his grandparent's farm until 1961, when he moved to Leland. "They always told me that if I moved to town, I'd starve to death. But I made so many crops and didn't make no money I told them I'd move to town and ,eat out of the garbage can, if I had to." 

There are lots of blue singers in the Mississippi Delta, just like Thomas, who have preserved their black tradition. And nearly all of them are men. 

In the rural areas, there weren't many women into the blues," says Ferris. One of the reasons is that it was very dangerous. At times fights would break out and a man could handle himself a little better in situations like that. But I'm only guessing.

Saturday, March 25, 2017

Ralph Lembo - The Blues Talent Scout of Itta Bena

Ralph Lembo was not only keen in booking Blind Lemon Jefferson in 1928, but he also invited other recording artists to perform in the tiny metropolis, specifically ART GILLHAM, the Whispering Pianist of Columbia Records. 


May 12, 1928 - ART GILLHAM AT ITTA BENA 

ITTA BENA, Miss.---- Art Gillham, the famous Columbia piano artist, was here in Itta Bena yesterday for a short time. He honored the people of this town with a few of his hits. Among them were: "I'd walk a million miles to be a little nearer to you," "So Tired," "Now that I have You," and "I'm Drifting back to Dreamland."


Mr. Gillham’s visit came as a complete surprise and only a few were fortunate in getting to hear him. Ralph Lembo, local music dealer, called Mr. Gillham and had him come over.



















From 1926-1929, Gillham toured the Pantages circuit on the West Coast and the Loew's--Saenger circuit in the South. The intimate style that made him popular on radio and records did not translate well into large theaters. His style limited him to the smaller theaters, because amplifiers and speakers had not yet been installed in most theaters. He was on stage by himself with a piano and a telephone. The telephone was for "conversations" with his sweetheart, who no doubt was jilting him. Art used this as an introduction to his "sob" songs and to promote his image of not being able to get or keep a sweetheart. His radio and record image of being an old, balding fat boy could not have been used where his audience could see he was young, thin, with a head full of dark wavy hair. His appearances were usually well advertised, frequently with full pages of ads for his appearance and his Columbia Records.


http://lwhisper.home.mindspring.com/ArtGillham.html





Friday, March 24, 2017

Nitta Yuma, Mississippi

The Headstone Application of James Huntley
Nitta Yuma Cemetery


The Military Marker of James Huntley


Nitta Yuma Plantation Store


Abandoned House at Nitta Yuma


Nitta Yuma Cemetery

On March 18, 2017, the Mt. Zion Memorial Fund visited Henry Phelps in Nitta Yuma, Mississippi. We visited a couple of different cemeteries in the vicinity, including Nitta Yuma Cemetery, the final resting place of Armenter Chatmon--aka Bo Carter, of the Mississippi Sheiks. He wanted us to let everyone know that the cemetery is open to the public and accessible via an easement that goes around the adjacent field. This short film shows the relatively well-kept rural burial ground as we found it upon our arrival. We plan to dedicate a historical marker in honor of Bo Carter in July. The last frame shows the view from Carter's grave on the edge of the field.

Please visit www.mtzionmemorialfund.org/p/the-unmarked-grave-of-bo-carte…

Music by the Coffee Grinders