The Grave of Willie Foster

The Grave of Willie Foster

The Harmonica King of Holly Ridge

Bill Johnson, March 2003

For those who love the blues; many have felt the mystical touch of Willie Foster, who put a human face in this music that chronicled the history and the people of the Mississippi Delta.

In an uncanny artistic way, he touched thousands over a short span, yet became a legend in his own lifetime. But like so many great blues legends, Foster, who died on May 20, 2001, had a wealth of friends and' family, but was poor in finance.  His band, Willie Foster & the Blues Upsetters, served as ambassadors from the Mississippi Delta around the world. And like so many of the area's blues treasures, Foster was grossly underpaid, underappreciated,  and all but unsung.

In March 2003, Danny & Sharon Peeples hosted a fundraiser at the Walnut Street Blues Bar in Greenville to help pay for the memorial stone that now marks his grave in Holly Ridge. Sponsored by Billy Johnson and the Leland Blues Project, the event featured blues artists from across the Magnolia State.

Leland blues legend Eddie Cusic, who participated in the evening of down-home blues tradition, said in an interview Thursday that he felt it was definitely a worthwhile cause. "Foster was one of the best that's gone in recent years," Cusic said. "I am proud to help out in any way."  Other Delta blues artists featured on the bill include Little Bill Wallace, T-Model Ford, Jason Leland, Eden Brent, John Horton and the Special Occasion Band. Mississippi Slim, Jay Kurgis and many more.

Chestrene Foster, Foster's widow, stated, "It's real nice. Speaking of the stone. I would like to thank everyone in advance, and especially Mr. Tom Robertson of Holly Ridge for leading the way and stepping forward with kindness and finance.  He's really appreciated."  

[Tom Robertson, whose family has owned Heathman plantation for many years, donated the land on which Charley Patton and Willie Foster's graves sit in Holly Ridge. Bill Robertson also spoke at the Patton dedication in 1991, a memorial that his family remains fiercely proud of to this day. Foster grew up in Holly Ridge and came home to rest only a few feet from the grave of Patton.]

Beverly Reginelli, who operates the Holly Ridge Grocery, said she remembers when Foster and his band played for her brother, Butch Reginelli, at Chevy's in Indianola from 1987 through 1995.

"And in Holly Ridge, this is where Willie was born and raised out here," Reginelli said.

"Some of us can recall Willie, playing just outside in front of the store."

The memorial for Foster was unveiled in March 2003 at Holly Ridge Cemetery, and it was followed by a blues tribute at the Holly Ridge Grocery by a few more indebted blues musicians. 

Longswitch/Holly Ridge Cemetery in the 2010s

© Shein Die

Deep In the Blues

Story and photos by Bill Steber

For The Tennessean, July 18, 1993.

The year was 1903.

W. C. Handy, legendary musician, arranger and bandleader, slept on a bench at the depot in Tutwiler, Miss., waiting for a train that was nine hours late.

Late in the night, Handy awoke to see a ragged man beside him, his clothes in tatters, toes sticking out of his shoes. The man was deftly sliding a knife across the strings of a guitar as he sang about "going where the south-ern cross the dog."

Handy described it as "the weirdest music I had ever heard."

After asking about the lyric, Handy was told that the Yazoo and Mississippi Valley Railroad, known locally as "the Yellow Dog," crossed the Southern Railroad at right angles in Moorhead.

The man was simply singing music about where he was going [, or perhaps about a labor camp that convict leases called “Yellow Dog” that was still slowly constructing the Yazoo & Mississippi Valley rail line. (article forthcoming)]

But the event, the first documented account of what we now call "the blues," was momentous to Handy, who soon became possessed with the new music and was later credited with being its "father" after introducing it to the world.

The blues legacy is felt profoundly throughout American music, but if you want to go where it all began, you've got to head south of Memphis, deep into the Mississippi Delta, on Highway 61.

Exiting the Memphis loop onto 61, the familiar blanket of Tennessee greenery disappears. The vast, arid soil of the Mississippi Delta fans out all around.

You feel as if you've stepped back in time.

For an intense, four-day excursion from Nashville, leave early on a Thursday, arriving in Memphis before noon. You may want to tour the Memphis Music and Blues Museum (97 S. Second Street) to wet your blues whistle. Memphis is a treasure trove of blues history and really deserves a weekend of its own to fully appreciate it.

Head south on Highway 61, the fabled route of Bob Dylan's Highway 61 Revisited. Here you'll begin to see a plethora of sites associated with blues performers who, from the turn of the century to the 1940s, laid the groundwork for rock 'n' roll.

The unmarked grave of Memphis Minnie, one of the first female blues guitarist/singers, is at the New Hope Cemetery in Walls. Clack's store in nearby Lake Cormorant was where first-generation bluesman Son House recorded his field sessions for the Library of Congress in 1941.

Fans of Robert Johnson, surely the greatest Delta guitarist, should stop in Robinsonville to view the Abbay and Leatherman plantation where he spent time as a youth, learning music by playing a guitar string nailed to a fencepost.

But the contributions of Johnson, whose death at 27 in 1938 cut short his legacy, live today in contemporary rock music. From the Rolling Stones' recording of Johnson's Love in Vain in the mid-60s to several cuts on Eric Clapton's latest album, the Grammy-winning Unplugged, his influence continues to grow.

Deeper into Tunica county past Lula, make a right onto Highway 49, and cross the Mississippi river into Helena, Ark. Sonny Boy Williamson, Johnny Shines, Robert Nighthawk, Roosevelt Sykes, and many other '30s-era bluesmen are closely associated with this town.

Stop by KFFA radio (1360 Radio Drive), originator of the now-famous King Biscuit radio show which launched Sonny Boy William-son, Robert Jr. Lockwood and Little Walter to fame. The local blues society is creating a museum at the boarding house where Sonny Boy lived — and died — at 4271/2 Elm St. Nighthawk's final resting place is in Magnolia cemetery.

Delta harmonica legend Frank Frost, featured in the movie Cross-roads, spends time in Helena, occasionally at Eddie's diner (corner of Missouri and Walnut).

After crossing back to Mississippi, continue south on Highway 61 into Clarksdale, birthplace of John Lee Hooker, Ike Turner, Junior Parker and Sam Cooke. Spend Thursday night at the Riverside Hotel (615 Sunflower Ave.)

The Riverside was the site of the black hospital in Clarksdale until the 1940s. In 1937, Bessie Smith was in a car accident outside Clarksdale and, seriously injured, was admitted to the hospital. For $35 you can stay in the very room where she died.

Mrs. Z.L. Hill has run the hotel since she opened it in the early forties. It's now mostly filled with male borders (she takes no women — says it would "cause trouble"), but she keeps two rooms open for guests, including Bessie's. She'll spend a long afternoon with you telling about when she cooked for Sonny Boy Williamson when he re-turned home late from gigs, or when she decked out Ike Turner's band with new ties before they went to cut Rocket 88 in Memphis. For a reservation, call 601-6249163.

On Friday morning, drive down Sunflower Avenue to the Stack-house/Delta Record Mart (232 Sun-flower). Owner Jim O'Neal is the best source of information on the Delta and its musicians to be found. For $7.50 (or $4.00 with another purchase) it's worth your while to buy his Delta Blues Map kit containing complete info on all the Delta sites. Order for $7.50 from Stack-house/Delta Record Mart, 232 Sun-flower Ave., Clarksdale, Miss. 38614.

From there, drive over to the Carnegie Public Library and visit the Delta Blues Museum with its spare, but enticing, exhibits and helpful staff. Other Clarksdale sites include the homes of W.C. Handy and Ike Turner, Wade Walton's Barber shop and the various juke joints on Fourth Street. All of these and more are covered in the map kit.

Before leaving Clarksdale, go the eight miles out of town on Oakhurst Avenue to the famous Stovall plantation to see the ruins of Muddy Waters' cabin. Waters, the link that carried the blues from the Delta into the electric age, ran a small juke joint and developed his blues at Stovall before leaving for fame and fortune in Chicago. It's to be moved soon to the Delta Blues museum, so catch it quick.

Head south from Clarksdale on Highway 49, stopping briefly in Tutwiler to see the marker commemorating W.C. Handy's "discovery" of the blues. The depot is gone, but the tracks and foundation remain.

Below Tutwiler, two miles off Highway 49W, you'll find the grave of harmonica great Sonny Boy Williamson in a grove of overgrown honeysuckle behind an abandoned church. The tombstone, elaborate compared to most bluesmen (who usually don't get one), has a photo-graph inset and tributes such as rusting harmonicas strewn about. For directions, consult the Jazz and Blues Lovers Guide to the U.S.

Continue south on 49W past Parchman pentitentiary, once home to Sonny Boy Williamson, Son House, and Bukka White, who immortalized it in Parchman Farm. It's not, however, recommended as a vacation destination, so keep on driving to Highway 8 at Ruleville.

Turn right onto Highway 8 to-ward Cleveland and about halfway down on the right (behind Dockery gas station) is Dockery Farms, home of Charley Patton. Many con-tend that the blues was actually born on this farm in the late 19th century. Patton, the earliest "star" of the blues, learned the music here from an older man named Henry Sloan. Dozens of early bluesmen, including Howling Wolf, Tommy Johnson and Son House went to Dockery to learn from Patton.

Turn back south on Highway 61 at Cleveland and head to Greenville for the night, where you can find some of the best living blues in the Delta. Watch for posted bills as live performances are, unfortunately, sporadic and unpredictable. In and around Nelson street is where most of the action is found. Check in at Perry's Flowing Fountain (816 Nelson St.) for tips on entertainment, cold drinks, and good company.

Nelson Street and other similar Delta locales where juke joints are found may seem forbidding on the outside, and should be approached with common sense, but most are completely safe as long you're just looking for good music and good times. A word of caution: Never give anyone a ride for any reason, leave the harder vices alone, and if you're a woman, don't go by your-self. You'll find most people will go out of their way to be helpful.

A surprising number of musicians live in the Greenville area and with a little footwork, you can meet the local legends. If you want a private performance, expect to pay a little in return since many musicians make their meager livings only through their music. Watch for Willie Foster, Boogaloo Ames, Shubby Holmes, Mamie "Galore" Davis, John Horton and the Special Occasion band, Eugene Powell, T-Model Ford and James "Son" Thomas.

[Leaving Greenville East on Highway 82 to start your Saturday, pull off at Holly Ridge to see Longswitch Cemetery, which contains the graves of Delta blues' founder Charley Patton, harmonica player Willie Foster, local blues stalwart Asie Reed Payton, and storied undertaker Joseph “Cootchie” Howard. The grave was unmarked until 1991 when a headstone was erected by the Mt. Zion Memorial Fund with the help from ex-Creedence Clearwater Revival frontman John Fogerty.]

Indianola, the next town heading east, is the home of blues legend B.B. King. The town's favorite son has a street and park named after him, and you can find his hand and foot prints in the concrete at 2nd and Church. Also on Church is the Keyhole Inn, one of the jumpingest jukes in the Delta.

Next stop, Moorhead, where "the Southern cross the dog." Like its sister location in Tutwiler, a plaque marks the spot.

Spend the rest of your Saturday in and around Greenwood exploring the legend of Robert Johnson. To successfully feel your way through this greatest of blues mysteries, arm yourself with a rudimentary knowledge of the man (gleaned through any number of books), good notes from the film The Search for Robert Johnson by John Hammond (available for sale or rent from Tower Video), and a good cassette of songs by the master himself. Johnson, a hard man to pin down in life and in death, has at least three reputed burial sites.

After a good night's sleep in Greenwood, start your Sunday on a positive note by driving out of town north on Highway 7 to pay your respects to Mississippi John Hurt, a primary influence of bluegrass legend Doc Watson, at St. James Cemetery in Avalon. Hurt's grave is nestled in a peaceful woodland setting appropriate for Sunday morning contemplation. Consult the Delta Blues map kit for directions. [If you can find a copy still in existence]

Finally, pick up Interstate 55 at Grenada and quickly head north, getting off on Highway 4 at the Senatobia exit. Drive into Holly Springs and spend the afternoon at Jr. Kimbrough's juke joint located about 11 miles west of town on Highway 4. Jr. usually has live music on Sunday afternoons, often per formed by himself or the great R.L. Burnside. Both musicians are featured in the acclaimed documentary film Deep Blues, which is expected to be released soon on video. [It's out now, and click here for more on the graves of musicians in the hill county]

Although the blues is not the same driving force it was in the Delta prior to World War II, it's still a living, viable art form heard and felt in the sun-bleached cotton fields during the day and in the sweat-soaked juke joints at night. With a little patience and perseverance, the nuances of this often overlooked land and its music can be understood and appreciated.

The Mississippi Delta is often a harsh place with unbelievable poverty, still scarred by the dark legacy of slavery, but from this bitter history has emerged a music and a people with a mysterious beauty that is at once indefinable and irresistible. ■

Learning about the blues

For your reading and listening pleasure, here are some recommendations to help you get acquainted with the blues. Choice books include: • Deep Blues, Robert Palmer. • The Jazz and Blues Lovers Guide to the U.S., Christiane Bird. • Searching for Robert John-son, Peter Guralnick. • Bluesland: Portraits of 12 Major American Blues Masters, Pete Welding and Toby Byron. • The Land Where Blues Began, Alan Lomax. • Juke Joint, Birney Imes. • Blues Fell This Morning, Paul Oliver. • Blues Off the Record, Paul Oliver. • Big Road Blues, David Evans.

Musts-haves for your library of blues recordings include: • Deep Blues: Original Motion Picture Soundtrack, Atlantic. • Blues Masters, Vol. 8: Mississippi Delta Blues, Rhino. • Robert Johnson: The Complete Recordings, Columbia. • The Slide Guitar: Bottles, Knives and Steel, Columbia. • Blues in the Mississippi Night, Rykodisc. • Son House: Father of the Delta Blues, Columbia. • Charley Patton: Founder of the Delta Blues, YaZoo. • Masters of the Delta Blues: Friends of Charley Patton, YaZ-oo. • Muddy Waters: The Com-plete Plantation Recordings, Chess. • Muddy Waters: Sings Big Bill Broonzy/Folk Singer, Chess. • The Roots of Robert John-son, YaZoo. • Big Joe Williams, Classic Delta Blues.

And, if you'd like to see and hear, there are videos: • Search for Robert Johnson, with John Hammond. • Crossroads. • Masters of the Country Blues: Son House/Bukka White. • The Glues, Various Artists: VidJazz 13. 

Mt. Zion Memorial Fund Preserves 'Holy Ground' Landmarks

Mt. Zion Memorial Fund

Preserves 'Holy Ground' Landmarks 

By Panny Mayfield - 1990 

GoFundMe

In the first EVER newspaper article written about the Mt. Zion Memorial Fund (Panny Mayfield, Clarksdale Press Register, November 24, 1990), founder Skip Henderson makes it plainly known that the obelisk

near Morgan City was never intended to mark a grave.

"It's a great shame Mississippi has endured an unfair reputation," for events that happened 60 to 80 years ago. These are "faded snapshots people carry in their mind. There’s more violence in two days in New York City than in a whole year in Mississippi." 

These comments are from a telephone interview with vintage guitar dealer Raymond "Skip" Henderson of New Brunswick, N.J. Henderson, who is featured in the Nov. 12 issue of Newsweek Magazine in a Prominent article "There's Blues in the News" will be in Clarksdale this weekend. 

An avid blues enthusiast who first came to Clarksdale a number of years ago at the urging of ZZ Top guitarist Billy Gibbons to visit the Delta Blues Museum, Henderson is personally responsible for a blues preservation campaign of his own. 

Its focus is the blues giant Robert Johnson immortalized as the modern-day Faust who sold his soul to the devil at the "Crossroads" to play the guitar. Although much of Johnson's life and death in 1938 is a mystery, his intense music is legendary. The recent remastering of his records by Columbia Records has been a surprise best-seller, sky-rocketing on the Billboard charts and drawing national media attention. 

Describing Johnson's music in the recent Newsweek article, Columbia producer Lawrence Cohn says "There is so much emotion there, I find it .disturbing." What New Jersey blues fan Skip Henderson finds disturb-ing through all the hoopla is the possible exploitation of blues sites in Mississippi. 

What New Jersey blues fan Skip Henderson finds disturbing through all the hoopla is the possible exploitation of blues sites in Mississippi.

In awe of 10 counties of Mississippi which Henderson says produced the roots of America's major musical culture, he labels the landmarks, "holy ground." 

In his business he's witnessed European and Japanese collectors zapping up American-made guitars. "They're a active and rabid group of collectors." 

"One night I sat straight up in bed," he said. 

What if some obsessed collectors found about the lien on Mt. Zion Church where Robert Johnson is supposed to be buried, bought it and put up a gift shop advertising 'See Robert Johnson 's grave." 

The threat of this potential desecration sent Henderson into action.' 

Through Clarksdale attorney Walker Sims, Henderson organized a non-profit corporation to raise donations to pay off the church's indebtedness. 

According to Sims, CBS Records has pledged $10,000 and a number of smaller donations have come in. 

Mt. Zion Church, pastored by the Rev. James Ratliff of Hollandale, has services once a month. Sims says it is located in a bean field in Leflore County between Morgan City and Itta Bena. 

Donations to the Mt. Zion Memorial Fund: Inc. will pay off the church's debt for repairs, plumbing work, and pews, Henderson says. Funds also will be used to clear the cemetery and put up a marker. 

"The marker an obelisk will not claim to be Johnson's grave site. It will be an historic marker placed near the highway," says Henderson. 

Although Henderson admits he may be viewed by many of the congregation as someone "who walked off a spaceship" he's looking forward to attending church services there. 

"I'm trying to return something to the people of the Delta. People will come to realize the area's vast richness." 

On his visits here Henderson says he has been struck by the state's poverty, but also by its "great beauty." "I'm taken by Mississippi." 

Donations to the Mt. Zion Memorial Fund Fund may be sent to P.O. Box 1114, Oxford, MS 38655. OR www.gofundme.com/headstonebluesinitiative

Click here to read the story behind the marker

RIP Calep Emphrey

We are deeply saddened by the news that Mr. Calep Emphrey, Jr. passed away. Mr. Emphrey was one of the best drummers, and he played with Mr. King for over 30 years. He also played with Little Milton, Albert King and others prior to joining Mr. King’s band, and played in his own band in his hometown, Greenville, Mississippi.

We remember that B.B. King fondly referred Mr. Emphrey as a fellow Mississippian as well as a fantastic drummer on the stage.

Our heartfelt condolences go out to Mr. Emphrey’s family, band members, friends and fans.

Calep Emphrey was born in 1949 in Greenville. Mississippi, and he started out playing the French horn—megaphone, baritone horn, and a lot of brass instruments. He started playing with the high school swing band—the Coleman High School Band.  The high school band director Wynchester Davis had a band called the Green Tops, which went all around the state. He went on to play in a concert band in college at Mississippi Valley State, where he was a music major in the late 1960s.

Professionally, he started off with Little Milton about '69 in Greenville. Milton used to hang around there a lot. So he needed somebody to fill the drummer position and he called Calep, who admitted, "I couldn't make no money with the French horn. [laughs]."

"I did a thing in WattStax with him. I did a couple—three tunes on an album. We also did WattStax Two. I left Milton and went with Freddy King. He was paying more money. Yeah, and I left Freddy King and went to Albert King. Albert gave me a call and I was with Albert and then B.B. gave me a call. The bass player recommended me. His bass player at that time was Joe Turner. Big Joe Turner. they called him. I knew him from the Little Milton days. We used to play together there. The drummer [before me] was—his last name was Starks, but everybody called him "Jabo," his nickname. He used to play with James Brown. I've been with B.B. since '77. I jumped right into it. I studied it and listened to it. Yeah, I'm still nervous. [laughs] I'm a musician. I try to play all four corners. Compared with the Mil-tons and the Albert Kings, [the B.B. King Band] is more fulfilling because you get a chance to play a lot of places ordinary musicians don't get a chance to go—a widespread audience." 

The Delta Democrat Times, Jan 17, 1975

The Delta Democrat Times, Jan 14, 1977